Best known as a poet, E.E. Cummings was also an accomplished artist.  While his early work was often abstract, later in his life he frequently painted the view of the mountains from Joy Farm. “Many of the landscapes are either weirdly surreal and muted or else bursting with mad swirls of brilliant colors. His favorite (or at least most frequent) landscape subject by far was Mt Chocorua in the White Mountains of New Hampshire, which often either dominates the canvas or at least makes its presence known (á la Mt Fuji in traditional Japanese painting).”  quote from Ken Lopez Bookseller.


In a “conversation” with himself, Cummings’ compares his paintings with his poetry.

“Your poems are rather hard to understand, whereas your paintings are so easy.
Of course—you paint flowers and girls and sunsets; things that everybody understands.
I never met him.
Did you ever hear of nonrepresentational painting?
I am.
Pardon me?
I am a painter, and painting is nonrepresentational.
Not all painting.
No: housepainting is representational.
And what does a housepainter represent?
Ten dollars an hour.
In other words, you don’t want to be serious—
It takes two to be serious.

E.E. Cummings in “Forward to an Exhibit: II” (1945)